Picture Research 10-Week
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The course was really informative, gave me an overall view of the industry. Tim is a really knowledgeable tutor, with great attitude, able to develop an excellent rapport with the students.
← | →
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Very good information given, due to tutor having lots of previous experience. Great information pack given, with lots of useful comments. Also, the small size of the class was great.
← | →
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In general it was a very good course.
← | →
Training
In London
Description
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Type
Training
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Level
Beginner
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Location
London
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Class hours
20h
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Duration
10 Weeks
The LSP Picture Research course is recognised as being the UK's leading training course in this subject.
The course is suitable for those interested in pursuing a career in picture research and picture editing, those in the early stages of their career or those who require refresher training to keep up-to-date with any changes affecting the industry.
The project-based course is highly enjoyable and stimulating, with an emphasis on the practical issues relevant to the industry. The course keeps abreast of new developments, with special attention paid to the impact of digital technology and the role of the Internet.
Approved by the British Association of Picture Libraries and Agencies [BAPLA].
"An excellent course that covered practical aspects of Picture Research taught by a very knowledgeable tutor."
- Martina Salvi, Freelancer
Facilities
Location
Start date
Start date
About this course
Anyone who is looking to enter publishing, or looking to further their career progression. The focus is on developing skills by learning in a practical environment.
CPD Certificate approved by the British association of Picture Libraries and Agencies [BAPLA]
This is an industry led, practical, CPD approved certificated course that demonstrates that the delegate has invested in their learning and development, in key picture research skills.
You will be contacted by a course advisor who will send you general information on the course and start dates and how to book your place. You will be encouraged to contact us back, in order that we can answer specific questions and provide you with the details you are looking for.
Our entry requirements reflect the needs of the industry. The publishing industry is generally graduate entry, although there are exceptions and people with relevant experience within a commercial environment are welcome. We will accept non-graduates with a minimum of two years commercial experience. If in any doubt, please do not hesitate to contact us by telephone or email. Graduates will have greater opportunities than non-graduates to secure a position, but experience and the training provided by LSP are also important in helping with employment prospects. For those who are non-graduates the courses can consolidate the training with commercial experience to enable a delegate to become more marketable.
Please contact the Course Co-ordinator if you have any questions relating to entry.
The London School of Publishing offers some of the most up-to-date courses of their kind in the UK. Course contents are up-dated regularly and content reflects changes and developments occurring within the industry.
None of our courses are run as distance learning. We firmly believe that course delegates training in areas of publishing learn new skills when being trained face-to-face with an expert tutor.
The key advantages of following the LSP courses include:
LSP has been established since 1984 and we continue to be one of the most recognised and well-respected training organisations in the country. Our courses provide comprehensive and up-to-date coverage of the current publishing processes.
We work closely with our tutors to ensure that key developments are implemented within the training.
Detailed notes on each of the sessions are provided – with plenty of exercises given and homework set regularly.
Course tutors are all working within their respective fields with many years of working and teaching experience.
The courses have intellectual rigour and help course delegates develop specific publishing skills.
The courses teach in a practical way – ensuring that course delegates are prepared for the demands of the industry and are ready to be employed within their respective fields.
Reviews
-
The course was really informative, gave me an overall view of the industry. Tim is a really knowledgeable tutor, with great attitude, able to develop an excellent rapport with the students.
← | →
-
Very good information given, due to tutor having lots of previous experience. Great information pack given, with lots of useful comments. Also, the small size of the class was great.
← | →
-
In general it was a very good course.
← | →
Course rating
Recommended
Centre rating
Barbara Pisiolek
Molly Derry
Philippe Gavernet
Subjects
- Photography Basics
- Photography
- Photoshop
- Picture Research
- Picture editing
- Picture sourcing
- Retouching
- Regulation
- Intellectual Property
- Image Manipulation
- InDesign
- Copyright
- Camera
- Photo Editing
- Bridge
- Book Publishing
- Metadata
- Watermarks
- Digital Imaging
Teachers and trainers (1)
Helen McFarland
Picture Research 10 week course tutor
Picture Editor and Researcher with over 14 years' experience, currently Helen is a Picture Manager at HarperCollins Publishers Ltd. She read English Literature and History of Art at the University of Cambridge followed by a Master's degree in Art History at University College London. She has held positions at various major publishing houses including Laurence King Publishing, Dorling Kindersley and Time Out.
Course programme
Week 1: Course Overview
- Introduction to Picture Research
- The Picture Researcher’s evolving role
- Introduction to copyright and intellectual property
- Course project discussion
You will learn:
- How to handle the role as a Picture Researcher
- How copyright and intellectual property has an affect on your researching methods
- The skills and components needed to complete the course project
- BAPLA, agencies and picture libraries
- Picture researching online
- Metadata and watermarks
- Legal: Royalty Free and Rights Managed
You will learn:
- Identifying publicly available pictures
- Examining metadata and its meaning
- To understand the different legalities of choosing the right pictures
- Different types of briefs and how to interpret them
- The language of pictures
- Picture editing and selection
You will learn:
- To analyse a brief so that the wrong picture isn’t chosen
- How to identify the positive and negative elements in pictures in relation to their intended context
- How best to reduce the selection process during the editorial process
- Image formats
- Image software & manipulation
- Photoshop, Bridge and InDesign
- Legal: implications of image manipulation
You will learn:
- The various image formats and which format is best to use
- How to alter and manipulate a picture for its best usage
- The basic tools of Adobe products to alter pictures to perfection
- How to avoid modifying a picture to be misleading
- Handling original material
- Using fine art imagery
- Legal: DACS, copyright and Artists’ Estates
You will learn:
- How to approach photographic material in museums, archives and galleries
- How to obtain permissions for original material
- The legalities of using original and fine art materials
- Budgeting a project
- Negotiating fees
- Managing the workload
You will learn:
- Handling the costs of publication with pictures and illustrations
- How to organise projects and meet deadlines
- Dealing with budgeting limitations
- Imagery for websites and apps
- The future of publishing: e-books
- Legal: Evolving copyright law
You will learn:
- How to choose pictures to use online and how it is different to print
- How e-books change the picture researching process
- How and why the laws for offline and online are different
- Viewing portfolios and commissioning
- Managing photo shoots
- Legal: photographers’ rights, model release, contracts
You will learn:
- Why sourcing pictures through photographers and illustrators can affect the process
- Keeping to schedules and working with photographers and illustrators
- The legalities that need to be finalised before publication
- Identifying and acknowledging images
- Rights clearance
- Maintaining records and databases
You will learn:
- The importance of labeling images and their positioning
- To keep a database for future references
- The necessity of gaining the Rights to a picture or illustration
- Libraries, agencies and archives
- Publishing and media
- Freelance and self-employed
- Course projects discussed
You will learn:
- The various roles, skills and expectancies a Picture Researcher has in certain industries
- Which area is right for you
- To utilise the skills learnt to create and effectively bring a project to deadline and improvements
Additional information
Picture Research 10-Week