The beatles
Bachelor's degree
In Maynard (USA)
Description
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Type
Bachelor's degree
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Location
Maynard (USA)
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Start date
Different dates available
This class surveys the music of the Beatles, from the band’s early years to the break-up of the group, mapping how the Beatle’s musical style changed from skiffle and rock to studio-based experimentation. Cultural influences that helped to shape them, as well as the group’s influence worldwide, will be a continuous theme.
Facilities
Location
Start date
Start date
Reviews
Subjects
- Musical
- Music
- Early Years
Course programme
Lectures: 2 sessions / week, 1.5 hours / session
21M.030 Introduction to World Music or permission of the instructor
This class surveys the music of the Beatles, from the band’s early years as the Quarrymen, 1956–1960, through the rise of “Beatlemania” in the 1960s, and the break-up of the group with the turn of 1970. Listening and reading assignments will focus on the construction and analysis of selected songs with the goal of mapping how the Beatle’s musical style changed from skiffle and rock to studio-based experimentation and the concept album. Cultural influences that helped to shape not only the music, but also the image of the Beatles’ and its individual members, as well as the group’s influence on both popular music and culture worldwide, will be a continuous theme.
The course is structured so that we listen to one Beatles album every week, in chronological order by British album release.
Assigned readings will be taken from this text: Hunter Davies, The Beatles, New York: Norton, 2009. ISBN: 978-0393338744.
There will be additional readings and listening assignments posted in the Reading and Listening section.
Supplemental text: The Beatles Anthology, San Francisco: Chronicle Books, 2000.
There are three types of written work for this class:
See Assignments section for format guidelines and assignment details.
Please note: Plagiarism in the writing of any paper is a serious academic (and moral) offense. Plagiarism includes any unacknowledged use of outside sources, whether published or not, whether by scholars, bloggers, or fellow students. In our climate of facile electronic exchange and Internet copying, the temptation to use other people’s written work without proper citation is great. But the student should be aware that plagiarism in this or any course will likely lead to a failing grade in the class, and carries the risk of expulsion from the Institute. (On a personal note, plagiarism does not help you understand the material you have professed to study by taking this class.)
Group work and presentation are a focus of this course. For more about this and group formation, see Learning From Each Other in the Instructor Insights section.
You are required to attend each class meeting and participate actively.
The use of laptops and other electronic devices should be limited to accessing online scores and recordings or other activities directly related to this class. Please be sure to silence and refrain from using all devices when music is being played.
Magical Mystery Tour
1967: Sergeant Pepper’s Lonely Hearts Club Band
1967: Sergeant Pepper’s Lonely Hearts Club Band
1968: The Beatles
1968: The Beatles
1969: Yellow Submarine
1969: Yellow Submarine
1969: Abbey Road
Week 12 analysis due
1969: Abbey Road
1970: Let It Be
1970: Let It Be
Paper Discussion
Week 14 analysis due
Final project due
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The beatles