Digital Music Production

Let's get Started! 2 lectures 05:57 Introduction to Digital Music Production - Creating Tomorrow's Hit Songs In the Intro lecture, Erik explains how the course is going to work: the students will work on a real-world production, with audio tracks provided as a downloadable archive by the end of the lecture. This course is not about WATCHING music production techniques, but actually DOING them hands-on in real time with the course content. Getting Organized We import the downloaded audio files and save the new project. We create a consistent pattern for naming and saving the project. Lastly, we organize the Arrange and the Mixer pages with a color scheme to stay on top of things even when working on very large projects. Let's get Started! 2 lectures 05:57 Introduction to Digital Music Production - Creating Tomorrow's Hit Songs In the Intro lecture, Erik explains how the course is going to work: the students will work on a real-world production, with audio tracks provided as a downloadable archive by the end of the lecture. This course is not about WATCHING music production techniques, but actually DOING them hands-on in real time with the course content. Getting Organized We import the downloaded audio files and save the new project. We create a consistent pattern for naming and saving the project. Lastly, we organize the Arrange and the Mixer pages with a color scheme to stay on top of things even when working on very large projects. Introduction to Digital Music Production - Creating Tomorrow's Hit Songs In the Intro lecture, Erik explains how the course is going to work: the students will work on a real-world production, with audio tracks provided as a downloadable archive by the end of the lecture. This course is not about WATCHING music production techniques, but actually DOING them hands-on in real time with the course content. Introduction to Digital Music Production - Creating Tomorrow's Hit Songs In the Intro lecture, Erik explains how the course is going to work: the students will work on a real-world production, with audio tracks provided as a downloadable archive by the end of the lecture. This course is not about WATCHING music production techniques, but actually DOING them hands-on in real time with the course content. Introduction to Digital Music Production - Creating Tomorrow's Hit Songs In the Intro lecture, Erik explains how the course is going to work: the students will work on a real-world production, with audio tracks provided as a downloadable archive by the end of the lecture. This course is not about WATCHING music production techniques, but actually DOING them hands-on in real time with the course content. Introduction to Digital Music Production - Creating Tomorrow's Hit Songs In the Intro lecture, Erik explains how the course is going to work: the students will work on a real-world production, with audio tracks provided as a downloadable archive by the end of the lecture. This course is not about WATCHING music production techniques, but actually DOING them hands-on in real time with the course content. In the Intro lecture, Erik explains how the course is going to work: the students will work on a real-world production, with audio tracks provided as a downloadable archive by the end of the lecture. This course is not about WATCHING music production techniques, but actually DOING them hands-on in real time with the course content. In the Intro lecture, Erik explains how the course is going to work: the students will work on a real-world production, with audio tracks provided as a downloadable archive by the end of the lecture. This course is not about WATCHING music production techniques, but actually DOING them hands-on in real time with the course content. Getting Organized We import the downloaded audio files and save the new project. We create a consistent pattern for naming and saving the project. Lastly, we organize the Arrange and the Mixer pages with a color scheme to stay on top of things even when working on very large projects. Getting Organized We import the downloaded audio files and save the new project. We create a consistent pattern for naming and saving the project. Lastly, we organize the Arrange and the Mixer pages with a color scheme to stay on top of things even when working on very large projects. Getting Organized We import the downloaded audio files and save the new project. We create a consistent pattern for naming and saving the project. Lastly, we organize the Arrange and the Mixer pages with a color scheme to stay on top of things even when working on very large projects. Getting Organized We import the downloaded audio files and save the new project. We create a consistent pattern for naming and saving the project. Lastly, we organize the Arrange and the Mixer pages with a color scheme to stay on top of things even when working on very large projects. We import the downloaded audio files and save the new project. We create a consistent pattern for naming and saving the project. Lastly, we organize the Arrange and the Mixer pages with a color scheme to stay on top of things even when working on very large projects. We import the downloaded audio files and save the new project. We create a consistent pattern for naming and saving the project. Lastly, we organize the Arrange and the Mixer pages with a color scheme to stay on top of things even when working on very large projects. The Rough Mix 2 lectures 09:23 Rough Mix - Instruments We start the actual production by making a "Rough Mix" of the Instrumental tracks, using only Volume and Pan. Rough Mix - Vocals We add the Vocal tracks and finish the Rough Mix. The Rough Mix 2 lectures 09:23 Rough Mix - Instruments We start the actual production by making a "Rough Mix" of the Instrumental tracks, using only Volume and Pan. Rough Mix - Vocals We add the Vocal tracks and finish the Rough Mix. Rough Mix - Instruments We start the actual production by making a "Rough Mix" of the Instrumental tracks, using only Volume and Pan. Rough Mix - Instruments We start the actual production by making a "Rough Mix" of the Instrumental tracks, using only Volume and Pan. Rough Mix - Instruments We start the actual production by making a "Rough Mix" of the Instrumental tracks, using only Volume and Pan. Rough Mix - Instruments We start the actual production by making a "Rough Mix" of the Instrumental tracks, using only Volume and Pan. We start the actual production by making a "Rough Mix" of the Instrumental tracks, using only Volume and Pan. We start the actual production by making a "Rough Mix" of the Instrumental tracks, using only Volume and Pan. Rough Mix - Vocals We add the Vocal tracks and finish the Rough Mix. Rough Mix - Vocals We add the Vocal tracks and finish the Rough Mix. Rough Mix - Vocals We add the Vocal tracks and finish the Rough Mix. Rough Mix - Vocals We add the Vocal tracks and finish the Rough Mix. We add the Vocal tracks and finish the Rough Mix. We add the Vocal tracks and finish the Rough Mix. Refining the Mix 4 lectures 22:40 EQ - Using the Equalizer Learn how to use the EQ on vocals and instrument tracks. Use existing presets and customize your own settings. Compression Learn how to use Compression on Vocals, Drums and Instrumental Solos. Use Presets and make your own Custom Presets on standard and multi-band compressors. Reverb & Delay Learn how to set up Reverb and Delay Buses. Use these effects to create Depth and space in your Mix. What is a good Mix? - 3 Dimensions We will look at the Mix as a 3-dimensional model, and listen to some exceptional examples highlighting the three dimensions: Stereo Field, Frequency Spectrum and Space/Time. Refining the Mix 4 lectures 22:40 EQ - Using the Equalizer Learn how to use the EQ on vocals and instrument tracks. Use existing presets and customize your own settings. Compression Learn how to use Compression on Vocals, Drums and Instrumental Solos. Use Presets and make your own Custom Presets on standard and multi-band compressors. Reverb & Delay Learn how to set up Reverb and Delay Buses. Use these effects to create Depth and space in your Mix. What is a good Mix? - 3 Dimensions We will look at the Mix as a 3-dimensional model, and listen to some exceptional examples highlighting the three dimensions: Stereo Field, Frequency Spectrum and Space/Time. EQ - Using the Equalizer Learn how to use the EQ on vocals and instrument tracks. Use existing presets and customize your own settings. EQ - Using the Equalizer Learn how to use the EQ on vocals and instrument tracks. Use existing presets and customize your own settings. EQ - Using the Equalizer Learn how to use the EQ on vocals and instrument tracks. Use existing presets and customize your own settings. EQ - Using the Equalizer Learn how to use the EQ on vocals and instrument tracks. Use existing presets and customize your own settings. Learn how to use the EQ on vocals and instrument tracks. Use existing presets and customize your own settings. Learn how to use the EQ on vocals and instrument tracks. Use existing presets and customize your own settings. Compression Learn how to use Compression on Vocals, Drums and Instrumental Solos. Use Presets and make your own Custom Presets on standard and multi-band compressors. Compression Learn how to use Compression on Vocals, Drums and Instrumental Solos. Use Presets and make your own Custom Presets on standard and multi-band compressors. Compression Learn how to use Compression on Vocals, Drums and Instrumental Solos. Use Presets and make your own Custom Presets on standard and multi-band compressors. Compression Learn how to use Compression on Vocals, Drums and Instrumental Solos. Use Presets and make your own Custom Presets on standard and multi-band compressors. Learn how to use Compression on Vocals, Drums and Instrumental Solos. Use Presets and make your own Custom Presets on standard and multi-band compressors. Learn how to use Compression on Vocals, Drums and Instrumental Solos. Use Presets and make your own Custom Presets on standard and multi-band compressors. Reverb & Delay Learn how to set up Reverb and Delay Buses. Use these effects to create Depth and space in your Mix. Reverb & Delay Learn how to set up Reverb and Delay Buses. Use these effects to create Depth and space in your Mix. Reverb & Delay Learn how to set up Reverb and Delay Buses. Use these effects to create Depth and space in your Mix. Reverb & Delay Learn how to set up Reverb and Delay Buses. Use these effects to create Depth and space in your Mix. Learn how to set up Reverb and Delay Buses. Use these effects to create Depth and space in your Mix. Learn how to set up Reverb and Delay Buses. Use these effects to create Depth and space in your Mix. What is a good Mix? - 3 Dimensions We will look at the Mix as a 3-dimensional model, and listen to some exceptional examples highlighting the three dimensions: Stereo Field, Frequency Spectrum and Space/Time. What is a good Mix? - 3 Dimensions We will look at the Mix as a 3-dimensional model, and listen to some exceptional examples highlighting the three dimensions: Stereo Field, Frequency Spectrum and Space/Time. What is a good Mix? - 3 Dimensions We will look at the Mix as a 3-dimensional model, and listen to some exceptional examples highlighting the three dimensions: Stereo Field, Frequency Spectrum and Space/Time. What is a good Mix? - 3 Dimensions We will look at the Mix as a 3-dimensional model, and listen to some exceptional examples highlighting the three dimensions: Stereo Field, Frequency Spectrum and Space/Time. We will look at the Mix as a 3-dimensional model, and listen to some exceptional examples highlighting the three dimensions: Stereo Field, Frequency Spectrum and Space/Time. We will look at the Mix as a 3-dimensional model, and listen to some exceptional examples highlighting the three dimensions: Stereo Field, Frequency Spectrum and Space/Time. Automating The Mix 3 lectures 22:59 Basics of Automation Learn how to use Automation on Volume levels and Pans. Automating The Mix- Levels, Sends and Effects Mix Down! We look at the different mixdown options and run out a first "bounce" of our Mix. Then we listen on different devices in real-world situations and decide what details in the Mix need to be improved. These improvements will be implemented in v.2 of our Mixdown. Repeat until all details are satisfying. Automating The Mix. 3 lectures 22:59 Basics of Automation Learn how to use Automation on Volume levels and Pans. Automating The Mix- Levels, Sends and Effects Mix Down! We look at the different mixdown options and run out a first "bounce" of our Mix. Then we listen on different devices in real-world situations and decide what details in the Mix need to be improved. These improvements will be implemented in v.2 of our Mixdown. Repeat until all details are satisfying. Basics of Automation Learn how to use Automation on Volume levels and Pans