How to Write Poetry: Form and Feeling

Course

In London

Price on request

Description

  • Type

    Course

  • Location

    London

  • Duration

    10 Weeks

  • Start date

    Different dates available

Wordsworth defined poetry as ‘the spontaneous overflow of powerful feelings.’ While ‘feelings’ are an important aspect of poetry, form also helps to shape ideas in interesting ways. We’ll study great traditional and contemporary poets as a way to produce our own new writing. Inspired and informed by what we read, we’ll craft our own verse, learning about sound techniques, line breaks, imagery, and poetic language, using objects, memory and life experience to develop our ‘spontaneous overflow.’ This 10-week course is suitable for both new and experienced writers. You will receive practical guidance on how to read and write poetry, simultaneously broadening your literary knowledge through critical thinking, and sustained focus on improving your writing technique. Each lesson will include an initial workshop of previously written verse. This will enable the poet to develop their ability to comment upon their own work, and for the rest of the class to focus on developing critical analysis, in their role as reviewer. These workshops will be focused on providing positive and constructive feedback, in an effort to build a useful and mutually supportive working group. We will then perform a close reading of selected verse, using both traditional and contemporary examples, in order to explore formal context and development in relation to our own work. This will be followed by a discussion of formal aspects, as well as questions of techniques and experimentation. Prompts will be provided so that you can then begin to draft your formal piece, finishing the work at home between classes. Our work in class will be supported by closed social media group sessions dealing with suggested further reading, queries and practical advice on competitions, submissions and other literary opportunities. Over the 10-week period we will pay close attention to ten different poetic forms, including: the nocturne, haibun, prose poem, villanelle, golden shovel, pantoum,

Facilities

Location

Start date

London
See map
New Cross, SE14 6NW

Start date

Different dates availableEnrolment now open

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Subjects

  • Prose
  • Poetry
  • Writing
  • Sound

Course programme

This 10-week course will involve studying a range of poetic forms, through traditional and contemporary examples. As well as studying these forms, we will also workshop the poems during and between each class. The poetic forms we will cover are: Nocturne – a poem about the night, the nocturne can focus on ideas, moods and other objects associated with the darkness. Free in form, this form is evocative and imaginative. Haibun – the haibun comprises prose poetry, followed by a haiku, which acts as a sort of tiny platform for the initial block of text. Often associated with nature, the form is visually pleasing, and ripe for experimentation. Prose poem – lacking the line break associated with verse, a prose poem is both poetry and prose, possessing other attributes of poetry such as sound devices and poetic language. Villanelle – originally a dance-song dealing with pastoral or rustic themes, the villanelle observes a strict rhyme scheme, and affords the writer a platform for developing a refrain. Golden shovel – a newer form created in homage to American poet Gwendolynne Brooks, in this form a borrowed line of poetry supplies line-end words for the new, original verse. Pantoum – originating in Malaysia, this form consists of two quatrains, with repetition of lines from stanza to stanza. Full of echo and resonance, this form encourages development of ideas and feelings. Acrostic – a form that spells a word using the first letter of every line, the acrostic is a puzzle to write, and an exercise in both revealing and concealment for the reader. Elegy – a poem dealing with death and loss, the elegy allows the poet to mourn. Often containing three parts – a lament, praise and consolation - this form presents one of the most human emotions: grief. Epistle – a poem as a letter, the epistle can explore ideas of writing and reading, poet and addressee. This form can complicate ideas of the recipient, focusing on the abstract or an actual person. Couplet - a simple, yet effective form, the couplet is a two-line stanza, rhymed or unrhymed, closed or enjambed, utilized to convey love, a narrative, or writing itself. Ekphrastic – a poem written after a piece of art, the ekphrastic opens new doors to writing and seeing; it can adhere closely to the artistic prompt, or journey somewhere new, inspired by the visual.

How to Write Poetry: Form and Feeling

Price on request