Investigations and Appropriations in the Ethnographic and Documentary Film
Course
In London
Description
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Type
Course
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Level
Intermediate
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Location
London
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Class hours
16h
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Duration
8 Weeks
This eight-week evening course will investigate strategies for exploring and representing the physical world, the imaginary realm and the transient experience of human life through experimental, ethnographic and documentary film.
From the earliest reels of the Lumiere Bros, cinema has sought to capture, and occasionally provoke, a human reaction to the environment.
Filmmakers have provided vivid interpretations of the world and its people through numerous visual strategies - from cinema verite to rich experimentations in the creation of self-image. This has sometimes been done in a naively observational way, at other times in a deliberately interventionist manner.
This course will combine introductory lectures, screenings and group discussions.
Sessions will be held on Monday evenings for eight weeks, starting on 29 October 2018. They'll start at 7pm and last approximately 2 hours, including a short break.
Facilities
Location
Start date
Start date
About this course
The course is open to anyone with a basic knowledge of, an interest in, documentary and independent film forms, anthropology and representation.
It's suitable for the general public, undergraduates and postgraduates. It's not aimed at practitioners, although they're welcome to attend.
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Subjects
- Cinema
- Ethnographic
- Documentary film
- Hysical world
- Imaginary
- Human life
- Totalitarianism
- Constructions
- Anthropology
- Aesthetic explorations
Course programme
Below is an indication of topics covered in each session:
Early ethnographic experiments in reality and transformation: From Lumiere Bros to Jean Rouch, Margaret Mead and Gregory Bateson via Dali and Deren.Totalitarianism’s destructions and constructions: Vertov’s Kino Pravda, Pudovkin’s Storm Over Asiaand Riefenstahl’s Olympiad
Whose life, whose voice? British documentary from the Griersons through Jill Craigie and Mary Field to Molly Dineen
Rivers of no return: The peoples of the Amazon and the Danube through the lens of Ciro Guerra (Embrace of the Serpent) and Annik LeRoy (Vers La Mer)
African heritages: Post-colonial versions from Zora Neale Hurston and Ousmane Sembene to Raoul Peck and Yance Ford
Anthropology is where you find it: Frederick Wiseman’s 'follies' and Agnes Varda’s 'gleaners'
Aesthetic explorations: From Chris Marker's Sans Soleil to the Harvard Sensory Ethnography Lab’s Leviathan
Migrating bodies, changing identities: In This World (Michael Winterbottom), After Spring (Ellen Martinez, Steph Ching), Fire at Sea (Gianfranco Rosi), the Otolith Group
Investigations and Appropriations in the Ethnographic and Documentary Film