Modern fiction
Bachelor's degree
In Maynard (USA)
Description
-
Type
Bachelor's degree
-
Location
Maynard (USA)
-
Start date
Different dates available
Tradition and innovation in representative fiction of the early modern period. Recurring themes include the role of the artist in the modern period; the representation of psychological and sexual experience; and the virtues (and defects) of the aggressively experimental character. Works by Conrad, Kipling, Babel, Kafka, James, Lawrence, Mann, Ford Madox Ford, Joyce, Woolf, Faulkner, and Nabokov.
Facilities
Location
Start date
Start date
Reviews
Subjects
- Materials
- Classics
Course programme
Lectures: 2 sessions / week, 1.5 hours / session
You should use the editions specified here.
Books on order (in order in which they will be used):
Hardy, Thomas. Jude the Obscure (Oxford World's Classics). Oxford University Press, 2009. ISBN: 9780199537020.
Conrad, Joseph. Lord Jim (Penguin Classics). Penguin Books, 2007. ISBN: 9780141441610.
Kipling, Rudyard. Kim (Oxford World's Classics). Oxford University Press, 2008. ISBN: 9780199536467. [Preview with Google Books]
Ford, Ford Madox. The Good Soldier (Penguin Classics). Penguin Classics, 2007. ISBN: 9780141441849.
Joyce, James. A Portrait of the Artist as a Young Man: Text, Criticism, and Notes (The Viking Critical Library). Penguin Books, 1977. ISBN: 9780140155037.
Forster, E. M. A Passage to India. Mariner Books, 1965. ISBN: 9780156711425.
Woolf, Virginia. To the Lighthouse (Everyman's Library). Everyman's Library, 1992. ISBN: 9780679405375.
The Literature Section has formulated this statement and policy for all plagiarism cases:
Plagiarism—the use of another's intellectual work without acknowledgement—is a serious offense. It is the policy of the Literature Faculty that students who plagiarize will receive an F in the subject, and that the instructor will forward the case to the Committee on Discipline. Full acknowledgement for all information obtained from sources outside the classroom must be clearly stated in all written work submitted and in all oral presentations, including images or texts in other media and for materials collected online. All ideas, arguments, and direct phrasings taken from someone else's work must be identified and properly footnoted. Quotations from other sources must be clearly marked as distinct from the student's own work. For further guidance on the proper forms of attribution, consult the style guides available in the Writing and Communication Center, review their Link, and review MIT's online Academic Integrity Handbook.
Don't show me this again
This is one of over 2,200 courses on OCW. Find materials for this course in the pages linked along the left.
MIT OpenCourseWare is a free & open publication of material from thousands of MIT courses, covering the entire MIT curriculum.
No enrollment or registration. Freely browse and use OCW materials at your own pace. There's no signup, and no start or end dates.
Knowledge is your reward. Use OCW to guide your own life-long learning, or to teach others. We don't offer credit or certification for using OCW.
Made for sharing. Download files for later. Send to friends and colleagues. Modify, remix, and reuse (just remember to cite OCW as the source.)
Learn more at Get Started with MIT OpenCourseWare
Modern fiction