MRes Art: Theory and Philosophy

Master

In London

£ 4,750 VAT inc.

Description

  • Type

    Master

  • Location

    London

  • Duration

    2 Years

MRes Art: Theory and Philosophy promotes dialogue amongst practitioners and theorists about art discourse today.Highly relevant for both artists and writers, the course theorises art from a contemporary perspective embracing ideas in Continental philosophy, The Marxist intellectual tradition, as well as psychoanalytic and feminist theories.This course is part of the Art Programme. Great reasons to applyMRes Art: Theory and Philosophy enables you to pursue your studies whilst also undertaking part-time employment, internships or care responsibilities. You are expected to commit 30 hours per week to your studies; your taught input will normally be scheduled over a maximum of two to three days per week during term time You’ll explore key issues including philosophy's relevance for the theorisation of art, politics, philosophy and art, philosophical approaches to contemporary art, and philosophy and art in a globalised contextYou’ll benefit from productive exchanges and development of ideas between MA Fine Art practitioners and MRes historians, theorists and philosophers You’ll be introduced to the professional world of research and debate, supported by lectures from visiting scholars and philosophers You'll gain skills in close textual analysis, comprehension, reconstruction and interpretation of philosophical arguments, while building expertise in critical analysis and reflection Our graduates will be well placed to progress to MPhil or PhD research or for a professional future in academic institutions, the arts, and publishingOpen daysThe next open days will take place between February to May 2018. Check back here early 2018 to book a place.Scholarships availableThe Trask Fund MRes Art BursariesVice-Chancellor’s Scholarships:Home/EU | InternationalPostgraduate loans of up to £10,000 are now available for eligible UK and EU students . See the postgraduate loan page for a full list of...

Facilities

Location

Start date

London
See map
1 Granary Square

Start date

On request

About this course

Entry requirementsAn applicant will be considered for admission who has already achieved an educational level equivalent to an Honours Degree.This educational level may be demonstrated by:An Honours Degree or an equivalent academic qualification;A professional qualification recognised as equivalent to an Honours Degree; Applicants who do not meet the standard course entry requirements may still be considered if the application demonstrates additional strengths and alternative evidence . This might be demonstrated by:Prior experiential learning, the outcome of which...

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Subjects

  • Politics
  • Evaluation
  • Staff
  • Leadership
  • Art History
  • Philosophy
  • Epistemology
  • Art
  • Appreciation
  • Project
  • Writing
  • Project Proposal
  • Aesthetics
  • Theory Philosophy

Course programme

Course detail

MRes Art allows you to address a specialist area of fine art research and to explore the relationships between your chosen specialism and the broader fine art community in the context of our Fine Art Programme.

Synergies in our Fine Art Programme - incorporating MA Fine Art, MA Art and Science, MA Photography, MRes Art: Exhibition Studies, MRes Art: Moving Image, and MRes Art: Theory and Philosophy - create a dynamic context for exploring practices and issues within contemporary culture.

In its extended full-time mode MRes Art gives you the flexibility to access London's richly varied opportunities for work and study while maximising your personal and professional development.

MRes Art prepares you to work particularly in the academic and research contexts of professional environments, to undertake PhD study, or pursue independent research. The course benefits from links with relevant professional and academic organisations in London and internationally and from the varied expertise of its research staff.

MRes Art: Theory and Philosophy offers a close reading of relevant texts as well as detailed discussion to promote your understanding and knowledge of major debates and approaches within Continental philosophy and aesthetics, the Marxist intellectual tradition, and psychoanalytic theory concerning art. Key issues include philosophy's relevance for the theorisation of art, politics, philosophy and art, philosophical approaches to contemporary art, and philosophy and art in a globalised context. Students in the second year of the course can pursue either discursive or practice-based forms of research.

Course rationale

Despite their differences, and the expansion of the sciences and arts – accelerated through globalisation, media and technology, and polarised by capitalism – what many philosophers today share is an attempt to create understandings of the world that embrace issues of politics, science, epistemology and art.

In this context, it is relevant that state funded research increasingly centers upon two mutually sustaining areas: that of the ‘global crisis’ (the socio-economic, political and ecological consequences of ‘globalisation’ however local the effects) and the notion of the ‘post-human’ (involving research, amongst other things, into neurology and neuroscience, computational interfaces, time, and virtual reality).

These developments and their consequences, discursive and otherwise, form the context for this pathway’s aims with respect to its teaching and research. These aims are, firstly, to analyse and interrogate the assumptions, beliefs, and dogmas shaping the conceptualisation and propagation of contemporary ideas of epistemological change, with respect to globalised forms of space and time; and secondly, wherever possible, to elucidate the creative and political potential within philosophical ideas of epistemological change, especially as this task may bear upon art in its socio-historical and futural modes of production, reception and dissemination.

For this purpose the pathway draws upon the traditions and legacies of continental philosophy and aesthetics, the Marxist intellectual tradition and psychoanalytic and gender theories - each of which are driven today by an urgent desire to challenge the assumptions that lie behind identitarian and instrumentalised reasoning, while developing speculative possibilities for thinking, writing and praxis.

The ambition of this pathway is to generate new research and writing practices that extend and, possibly, transform the legacies of these traditions with respect to the arts in a time of ostensible epistemological and political change.

The pathway is augmented through the college’s Art and Philosophy research group’s curation of public events and talks given by leading philosophers and thinkers, as well as through its collaboration with the independent art publishing organisation ‘Three Letter Words’ that supports the pathway’s dedication to writing and publishing as forms of practice in their own right.

Course dates

Autumn term
Monday 24 September 2018 – Friday 7 December 2018
Spring term
Monday 7 January 2019 – Friday 15 March 2019
Summer term
Monday 15 April 2019 – Friday 21 June 2019

MRes Art: Theory and Philosophy events

Lewis R. Gordon 'Illicit Appearance: Race, Racism and Violence in New World Orders
Slavoj Zizek in Conversation with Jonathan Derbyshire
David Harvey - Seventeen Contradictions and the End of Capitalism
A Symposium On Resistance
More archive lectures

Embracing current debates shaping art criticism, art history and theory, aesthetics and philosophy, MRes Art: Theory and Philosophy investigates the relationships of philosophy and art and the extent to which these disciplines are mutually informing. Of particular importance is gauging the relationship of both modern and contemporary art to Continental philosophy, the Marxist intellectual tradition, psychoanalysis, and gender theory. In examining what modern and postmodern philosophers have said about art, the course asks how their ideas relate and differ conceptually.

MRes Art: Theory and Philosophy aims to lead UK scholarship in the field through its academic activities (conferences, symposia and publications), serving as a platform for students to develop their interest and research towards MPhil and PhD study and facilitating research by its staff. A strong discursive component locates you in the professional world of research and debate, and this is supported by lectures from visiting scholars and philosophers. In pursuing the relationship between art, theory and philosophy the course aims to advance both art practice as a form of thinking and thinking as a form of practice, with the aim of producing qualified researchers, practitioners and writers who will contribute to art, visual studies and philosophy in a contemporary context.

The first year offers teaching in philosophical and theoretical methodologies while engaging you in the major ideas pertaining to the philosophy of art from Kant (one of the first philosophers of aesthetics) to the present. At the same time you'll prepare for a personally directed program of study - your research project. In the second year you'll pursue and realise your project. Your progress is supported through tutorials and critical discussions, and monitored through written assignments and presentations. Your realized project – that can be either discursive or practice-based (art, curatorial, etc.) - is the principal assessed work leading to the MRes qualification.

About the course

  • MRes Art: Theory and Philosophy lasts 60 weeks structured as two consecutive periods of 30 weeks each (i.e. two academic years) in its 'extended full-time mode.'
  • MRes Art: Theory and Philosophy is credit rated at 180 credits, and comprises four units. Unit 1 (40 credits) and Unit 2 (20 credits) run concurrently and last 15 weeks. Unit 3 (40 credits) follows after the completion of Units 1 and 2 and runs for a further 15 weeks to the end of year one. Unit 4 (80 credits) runs for 45 weeks, concurrently with Unit 3 to the end of year one, and then continuing to the end of year two.
  • All four units must be passed in order to achieve the MRes but the classification of the award of MRes is derived from the marks for units 3 and 4 only.
  • In year one we expect you to commit an average of 40 hours per week. In year two your study is predominantly self-managed but we expect you to commit an average of 20 hours per week. Across the two years, therefore, you're expected to commit an average of 30 hours per week.

Unit One: Critical perspectives

Unit one enables you to understand what the key concepts, ideas and debates in philosophy have been concerning politics, science, the arts and epistemology and their interaction in the period from the Enlightenment to the present.

Embracing primarily Continental philosophy and aesthetics, the Marxist intellectual tradition and psychoanalytic and gender theories it builds your appreciation of the major issues and debates arising from philosophy and aesthetics particularly since Kant, while locating these issues within contemporary perspectives and debates concerning the arts.

Key areas include: Kant’s concept of aesthetic judgement; Hegel: Master/slave dialectic, the end of art; Nietzsche’s re-evaluation of Platonism and metaphysics, the ‘will to power as art’; Marx and the fetishism of the commodity; Freud and Lacan on the formation of subjective identity, theories of sublimation, the uncanny, melancholy and mourning, symptom and sinthome; Benjamin, aura and reproduction, mass movement and distraction; Heidegger: Dasein, alétheia, the origin of the work of art, boredom and time.

The unit develops your ability to evaluate and progress your ideas about the theory and philosophy of art and to encourage articulacy in critical discussion and writing.

Unit Two: Methodologies and methods I

This unit is shared across the three pathways of the MRes Art course. It aims to make you aware of a range of methodological approaches that have been shaped by discourses in their field of study (including, but not limited to, phenomenology, psychoanalysis, structuralism, Marxism, feminism and postcolonial studies).

The unit is organised around a set of four keywords or concepts that will be examined through the sessions. Each session will engage with one of these concepts mobilizing a different methodological standpoint.

You will, on the one hand, gain an in-depth understanding of the trajectories of these concepts and the shifting status they have acquired but, more importantly, will become aware of the need to critically scrutinize the implicit or explicit methodology (ies) at play in both the texts you read and those you produce.

Unit Three: Methodologies and methods II

Following on from the discussions of methodology in Unit 2, this Unit deepens your understanding of specific artistic and discursive methods and how they operate in specific texts, debates and events by relating them to the pathways’ respective subject areas and the discourses and problems arising from them. Integral to the unit is a concern with research and writing as practice.

Unit Four: Individual research project (IRP)

Unit four has two parts. Part One is undertaken in parallel with Unit 3 in year one. Part Two is devoted to independent study and the development and completion of your research project in year two.

Part One

Part One continues the seminar series in unit one concerned with philosophical understandings of the inter-relationship between politics, science, the arts and epistemology and their relevance today. Issues for discussion include neo-liberalism, feminist-marxism, bio-semiotics, phenomenology and post-phenomenology (Merleau-Ponty to Nancy), technics and time (Bergson, Deleuze, Stiegler), the gift, politically motivated artistic interventions, philosophies of cinema, and the Lacanian Real. Additionally, it focuses on developing your research project proposal. This involves directed reading or viewing, the formulation of specific research questions and methods and the production of a literature review (annotated bibliography) that forms part of your draft individual research proposal (IRP).

Your proposal’s development is supported through increasingly student-directed seminars and group (as well as personal) tutorials, plus written guidance on the required contents of the proposal document.

Part Two

All projects, including a commitment to the forms of your submission (either discursive or practice-based) and appropriate ongoing supervision/tutorial arrangements, are agreed at the outset of year two. A symposium shared across the MRes pathways presents and discusses all project proposals. In the second year you lead interim presentations about your research discussing progress, challenges and findings, and issues of form, audience and dissemination.

At the end of Unit four you’re assessed through presentation of your realised research project in the agreed forms. Your marks for Units 3 and 4 determine the classification of your MRes award.

MRes Art Programme Specification 2018/19 (PDF, 354KB)

View the MRes Art: Theory and Philosophy event archive

Facilities

  • Library

    Find out more about the Central Saint Martins Library

  • LVMH Lecture Theatre

    Find out more about the LVMH Lecture Theatre

  • Lethaby Gallery

    Find out more about the Lethaby Gallery

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Staff

  • Chris Kul-Want, Course Leader for MRes: Art and Pathway Leader for Theory & Philosophy

    1 of

  • Yaiza Hernández, Pathway Leader, Theory and Philosophy

    2 of

  • Dr Dean Kenning, Lecturer, Theory and Philosophy

    3 of

  • Dr Neil Chapman, Lecturer, Theory and Philosophy

    4 of

  • Dr Jamie Brassett, Lecturer

    5 of

  • Dr John Cussans, Lecturer

    6 of

  • Dr. Kamini Vellodi, Lecturer, Theory and Philosophy

    7 of

  • Dr. Maria Walsh, Lecturer, Theory and Philosophy

    8 of

  • Helena Vilalta

    9 of

  • Dr. Paul O'Kane Lecturer, Theory and Philosophy

    10 of

Pathway Leader - Moving Image: Duncan White
Pathway Leader - Exhibition Studies: Dr Lucy Steeds

Lecturer, Theory and Philosophy: Karl Baker
Lecturer, Theory and Philosophy: Dr Carrie Giunta

Reader: Dr Joanna Morra

MRes Art: Theory and Philosophy

£ 4,750 VAT inc.