Silversmithing, Goldsmithing & Jewellery

Postgraduate

Online

£ 9,250 + VAT

Description

  • Type

    Postgraduate

  • Methodology

    Online

This award-winning degree course provides a unique opportunity to become a distinctive designer and maker across three specialisms.

Our Silversmithing, Goldsmithing & Jewellery course is focused on both traditional and contemporary approaches to making, and we place great importance on the acquisition of both hand and digital fabrication skills.

Our students and graduates have an excellent reputation within the industry and have had outstanding successes in major competitions.

Our School of Crafts & Product Design has leapt an impressive 24 places in The Guardian's 2017 university league table.

About this course

On this course, physical making and material investigation are at the core of our student experience. Through highly structured intensive technical workshops in a purpose-built and fully equipped facility, you’ll gain the opportunity to learn – in your own dedicated workspace – from highly qualified technical tutors, how to develop and realise your ideas and designs.

In parallel to the strong technical elements this course provides, you’ll be encouraged – through specific design projects – to develop your own interests and form your personal creative direction. You’ll be taught how to undertake creative research, and to observe, document, hypothesise, develop and resolve projects to a high standard.

Throughout your studies you’ll be supported through regular technical reviews, group critiques and one-to-one tutorials with faculty staff and highly regarded industry professionals to talk about your work, share and learn how to develop projects and concepts professionally.

We’re passionate about learning and we foster a supportive environment which is stimulating and challenging for our students. The teaching staff are all practising designer makers and are highly regarded within their profession, ensuring that the syllabus is constantly evolving to meet the latest professional demands.

You’ll also benefit from specialist master classes from invited guest tutors, giving you unique opportunities to learn highly specialist techniques from leading practitioners. Long-standing links with industry and leading organisations such as The Goldsmiths’ Company, l Trust and The British Art Medals Society will give you the chance to take part in national and international competitions and placements. Live projects with industry will give you invaluable professional experience.

Our Rochester campus is just a 40-minute train journey away from London, linking you to one of the most diverse and creative cities in the world, populated by a host of future clients, employers and commissioning agencies.

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Subjects

  • Design
  • Materials
  • University
  • Project
  • Industry

Course programme

Course content - 2017 entry
  • Year 1
  • Year 2
  • Year 3

In the first year, you'll be introduced to the University and the technical workshops and facilities available to you. On the course you’ll learn the technical and conceptual skills that will give you a solid foundation from which to explore your areas of specialist activity.

  • View the programme specification for 2016 entry
  • View the summary specification for 2017 entry

Please note, syllabus content indicated is provided as a guide. The content of the course may be subject to change.

Course modules
  • Maker, Materials and Process 1

    The purpose of this unit is to introduce you to the act of making as a key skill and means of experimental research through the exploration of materials and processes.

  • Maker, Materials and Process 2

    This unit builds on the previous one with you extending your vocabulary of material knowledge through the acquisition of a different but related set of material skills and processes. You'll test and further develop skills and knowledge from inception to resolution within given silversmithing, goldsmithing and jewellery practice brief contexts, increasingly synthesising design processes of research, ideas generation, iterative exploration, documentation, evaluation, resolution and communication at a fundamental level.

  • Practice, Process and Concept

    The purpose of this unit is for you to develop creative responses to designing and making, reflecting on and using experiences of processes and materials learned in previous units and employing new skills learnt in the unit.

  • Contextual Frameworks

    Introduces you to a range of historical and contemporary contexts that serve to locate crafts and design practices within wider social and cultural frameworks, and to promote contextual research as a fundamental aspect of creative practice. Through a series of illustrated thematic lectures, the unit will articulate a range of theoretical and practice-based positions in order to expose the rich diversity of approaches to crafts and design, and to consider aesthetic decisions in relation to wider contextual fields.

The second year focus is on finding your own specialist way of working and you’ll be encouraged and supported to start working more independently. During this year you may also have the opportunity to complete an industry work placement or even study abroad.

  • View the programme specification for 2016 entry
  • View the summary specification for 2017 entry

Please note, syllabus content indicated is provided as a guide. The content of the course may be subject to change.

Course modules
  • Practice Exploration 1

    You'll explore individual design identity and interest through engagement with design project briefs. Briefs require consideration from inception to resolution and incorporate all stages of the design process.

  • Practice Exploration 2

    You'll further extend and develop your exploration of individual design identity and interest. This is undertaken through engagement with selected project brief/s set within specific contextual themes and is seen as an impetus to engage in speculative and conceptually led design in the production of Silversmithing, Goldsmithing and Jewellery.

  • Establishing Practice

    You'll define your own patterns of study and consolidate their creative and conceptual practice. This unit provides, within a defined contextual framework, an opportunity to develop work in response to your own conceptual concerns and personal direction.

  • Contextual Perspectives

    Introduces you to a range of contextual, theoretical and critical perspectives that encourage an involved and insightful appreciation of crafts and design practices as expressions of meaning and value. With an emphasis on crafts and design as discourse, and drawing on a range of research methods and thematic content, the unit seeks to highlight relationships between creativity, production, mediation and consumption, promoting analysis and
    evaluation as essential aspects of creative research and resolution, and encouraging a positional approach to studio practice that identifies objects as experiences.

  • Study Abroad (optional)

    Optional unit that will allow you to spend a period of time in an overseas education institution.

The third year will see you achieve a greater level of independence with self-managed research, study and practice, resulting in a final major project and a written dissertation.

  • View the programme specification for 2016 entry
  • View the summary specification for 2017 entry

Please note, syllabus content indicated is provided as a guide. The content of the course may be subject to change.

Course modules
  • Practice Portfolio

    This unit primes you in complete readiness for constructive engagement with your future prospects upon graduation. It helps to facilitate the transition from student to early stage professional practitioner or adjacent destination.

  • Practice Position 1

    You'll commence framing an individual Silversmithing, Goldsmithing and Jewellery practice position. In order to achieve this two routes of pursuit are offered (i) research / exploratory prototyping and testing (ii) research to resolution.

  • Practice Position 2

    You'll finalise framing an individual Silversmithing, Goldsmithing and Jewellery practice position and realise a self-initiated, graduate major project that realises individual potential.

  • Contextual Research and Critical Reflection

    The purpose of this unit is for you to conceive, develop and construct a personally meaningful portfolio of contextual research that informs, augments and reflects upon practice, towards the provision of structured narratives that critically engage with a range of contextual and theoretical frameworks and serve to support the positioning of individual practice in relation to past, present and possible future endeavours.

  • View the programme specification for 2016 entry
  • View the summary specification for 2017 entry

Please note, syllabus content indicated is provided as a guide. The content of the course may be subject to change.

Course modules

Silversmithing, Goldsmithing & Jewellery

£ 9,250 + VAT