Stravinsky to the present
Bachelor's degree
In Maynard (USA)
Description
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Type
Bachelor's degree
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Location
Maynard (USA)
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Start date
Different dates available
This course provides an overview of the musical styles and techniques developed over the past 115 years. The anthology and supplemental listening will present a range of art music aesthetics in a variety of genres such as chamber music, symphonic and choral music, and opera. While tuning your ears to novel sounds, you will hone your own preferences and aim to understand the motivations behind and importance of a wide diversity of compositional orientations, including Expressionism, Impressionism, atonality, neo-Classicism, serialism, nationalism, the influence of jazz and popular idioms, post-tonality, electronic music, aleatory, performance art, post-modernism, minimalism, spectralism, the New Complexity, neo-Romanticism, and post-minimalism.
Facilities
Location
Start date
Start date
Reviews
Subjects
- Music
- Art
- Materials
Course programme
Lectures: 2 sessions / week, 1.5 hours / session
21M.301 Harmony and Counterpoint I or permission of instructor.
These books are required:
A supplemental materials website for this book contains many links to online resources, additional references, and downloadable study guides.
Additionally, the class uses Grove® Music Online [a subscription-based service not provided for OCW users] as an additional biographical reference about composers.
This course satisfies the Music degree Communication Intensive in the Minor (CI-M) requirement. It requires 5000 words of formal writing, incorporating oral presentation, revision, abstract-writing, and citation practice. Short informal presentations will also be assigned throughout the term.
Details are provided on the Papers page.
Students are encouraged to listen to assigned music together, and to attend performances together, but must write their own independent answers to worksheet questions and reports.
Essays must cite any sources (including websites) that were used in researching a topic. I am happy to help you find appropriate scholarly resources. Please note that the Grove music encyclopedia is much more reliable than Wikipedia.
Attendance is counted every class and is part of your grade. Arriving more than five minutes late will cause you to miss your warm-up points for the day.
Only under exceptional circumstances will daily homework assignments be accepted late. Late essays will incur a penalty of 5% per day. In assessing lateness, the "end of the day" is defined as 5pm.
The use of computers and tablets is allowed for classwork only; smartphones are forbidden. You should bring your textbook and score anthology to every class meeting.
Note that there are no formal exams. The five short listening identification quizzes on works in the Anthology will take less than 15 minutes and will happen at the beginning of class. Lateness or absence on these days is not advisable.
Gustav Mahler
Richard Strauss
Claude Debussy
Alexander Scriabin
Arnold Schoenberg
Alban Berg
Charles Ives
Jean Sibelius
Kurt Weill
Paul Hindemith
Igor Stravinsky
Erik Satie
Sergei Prokofiev
Maurice Ravel
George Gershwin
Darius Milhaud
Arnold Schoenberg
Anton Webern
Alban Berg
Aaron Copland
Ralph Vaughan Williams
William Grant Still
Heitor Villa-Lobos
Colin McPhee
Leoš Janáček
Benjamin Britten
Richard Strauss
Dmitri Shostakovich
Sergei Prokofiev
Pierre Boulez
Olivier Messiaen
Milton Babbitt
Pauline Oliveros
John Cage
Karlheinz Stockhausen
Yoko Ono
Mario Davidovsky
Kaija Saariaho
Luigi Russolo
George Antheil
Edgard Varèse
Karlheinz Stockhausen
György Ligeti
Conlon Nancarrow
Gérard Grisey
Tristan Murail
Elliott Carter
Helmut Lachenmann
Brian Ferneyhough
George Crumb
Luciano Berio
Chen Yi
Toru Takemitsu
Minimalism and its Aftermath
Guest speaker: Evan Ziporyn
Steve Reich
Terry Riley
John Adams
Philip Glass
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Stravinsky to the present