Videographer's Boot Camp™-Basic Training
Course
Online
Description
-
Type
Course
-
Methodology
Online
-
Start date
Different dates available
This course is FOR the newbie who wants to make a career as a videographer. This course is NOT for intermediate and advanced students (although intermediate students will find useful information throughout the series.) Also, this series is about how to shoot professional video. We are not covering editing.Do you love creating video? Do you want to learn what it takes to make a career as a videographer?While technology changes, the basics of visual storytelling stay the same. Those basics include effective camera operation, creative lighting & clean audio recording. You'll learn all of that with this course. Believe it or not, many people already earning a living as videographers don't have these basics mastered so you can gain an advantage by learning what I teach you. After you have the knowledge and practice your craft, you can work as a freelance camera operator, works at a news station or a production company. You can even start your own production company!NOTE: Since many jobs in the video industry are "run and gun"/ENG (Electronic News Gathering) we will be teaching camcorder type cameras with servo zoom lenses and NOT be discussing DSLR cameras with fixed focal length prime lenses. Also, we will not be teaching stabilizing devices, sliders, jibs, or drones.
Facilities
Location
Start date
Start date
About this course
Learn what features you'll need in the equipment you buy or that you will encounter when working for a production company or news station
Learn all the basics of what to shoot & how to shoot to effectively tell a story
Become an artist by learning the effective use of lighting
Learn how to record clean, professional audio
Discover the tips & tricks of the trade that will make your professional life easier & help you overcome obstacles
Learn how to act like a professional and keep getting gigs
Reviews
This centre's achievements
All courses are up to date
The average rating is higher than 3.7
More than 50 reviews in the last 12 months
This centre has featured on Emagister for 4 years
Subjects
- Production
- Wireless
- Camera
- Lighting
- Teaching
- Market
Course programme
- Zebra for proper exposure
- Iris & F-Stop (Manual vs Auto)
- Neutral Density Filters
- Shutter Speed
- White Balance (Color Temperature explained)
- Focus (Manual vs Auto)
- Focus Enhance
- Zoom: Servo & Manual
- SDI/HDMI Output (recording uncompressed video)
- Formats
- XLR Inputs
- Line/Mic switch
- Trim (gain)
- Auto Level vs Manual Level
- Phantom Power
- Wind Filter
- Necessary Camera Features Summary
- Fluid Head
- Pan & Tilt tension adjustment
- Pan & Tilt locks
- Bubble Balance
- Ball Level adjustment
- Spreader
- Be Quiet!
- Microphones
- Shotgun
- Lavalier
- Hand Mic
- Wireless Audio
- On-Camera Light
- Reflector
- Zebra for proper exposure
- Iris & F-Stop (Manual vs Auto)
- Neutral Density Filters
- Shutter Speed
- White Balance (Color Temperature explained)
- Focus (Manual vs Auto)
- Focus Enhance
- Zoom: Servo & Manual
- SDI/HDMI Output (recording uncompressed video)
- Formats
- XLR Inputs
- Line/Mic switch
- Trim (gain)
- Auto Level vs Manual Level
- Phantom Power
- Wind Filter
- Necessary Camera Features Summary
- Fluid Head
- Pan & Tilt tension adjustment
- Pan & Tilt locks
- Bubble Balance
- Ball Level adjustment
- Spreader
- Be Quiet!
- Microphones
- Shotgun
- Lavalier
- Hand Mic
- Wireless Audio
- On-Camera Light
- Reflector
- Zebra for proper exposure
- Iris & F-Stop (Manual vs Auto)
- Neutral Density Filters
- Shutter Speed
- White Balance (Color Temperature explained)
- Focus (Manual vs Auto)
- Focus Enhance
- Zoom: Servo & Manual
- SDI/HDMI Output (recording uncompressed video)
- Formats
- Zebra for proper exposure
- Iris & F-Stop (Manual vs Auto)
- Neutral Density Filters
- Shutter Speed
- White Balance (Color Temperature explained)
- Focus (Manual vs Auto)
- Focus Enhance
- Zoom: Servo & Manual
- SDI/HDMI Output (recording uncompressed video)
- Formats
- Zebra for proper exposure
- Iris & F-Stop (Manual vs Auto)
- Neutral Density Filters
- Shutter Speed
- White Balance (Color Temperature explained)
- Focus (Manual vs Auto)
- Focus Enhance
- Zoom: Servo & Manual
- SDI/HDMI Output (recording uncompressed video)
- Formats
- Zebra for proper exposure
- Iris & F-Stop (Manual vs Auto)
- Neutral Density Filters
- Shutter Speed
- White Balance (Color Temperature explained)
- Focus (Manual vs Auto)
- Focus Enhance
- Zoom: Servo & Manual
- SDI/HDMI Output (recording uncompressed video)
- Formats
- Zebra for proper exposure
- Iris & F-Stop (Manual vs Auto)
- Neutral Density Filters
- Shutter Speed
- White Balance (Color Temperature explained)
- Focus (Manual vs Auto)
- Focus Enhance
- Zoom: Servo & Manual
- SDI/HDMI Output (recording uncompressed video)
- Formats
- Zebra for proper exposure
- Iris & F-Stop (Manual vs Auto)
- Neutral Density Filters
- Shutter Speed
- White Balance (Color Temperature explained)
- Focus (Manual vs Auto)
- Focus Enhance
- Zoom: Servo & Manual
- SDI/HDMI Output (recording uncompressed video)
- Formats
- XLR Inputs
- Line/Mic switch
- Trim (gain)
- Auto Level vs Manual Level
- Phantom Power
- Wind Filter
- Necessary Camera Features Summary
- Fluid Head
- Pan & Tilt tension adjustment
- Pan & Tilt locks
- Bubble Balance
- Ball Level adjustment
- Spreader
- Be Quiet!
- Microphones
- Shotgun
- Lavalier
- Hand Mic
- Wireless Audio
- On-Camera Light
- Reflector
- XLR Inputs
- Line/Mic switch
- Trim (gain)
- Auto Level vs Manual Level
- Phantom Power
- Wind Filter
- Necessary Camera Features Summary
- Fluid Head
- Pan & Tilt tension adjustment
- Pan & Tilt locks
- Bubble Balance
- Ball Level adjustment
- Spreader
- Be Quiet!
- Microphones
- Shotgun
- Lavalier
- Hand Mic
- Wireless Audio
- On-Camera Light
- Reflector
- XLR Inputs
- Line/Mic switch
- Trim (gain)
- Auto Level vs Manual Level
- Phantom Power
- Wind Filter
- Necessary Camera Features Summary
- Fluid Head
- Pan & Tilt tension adjustment
- Pan & Tilt locks
- Bubble Balance
- Ball Level adjustment
- Spreader
- Be Quiet!
- Microphones
- Shotgun
- Lavalier
- Hand Mic
- Wireless Audio
- On-Camera Light
- Reflector
- XLR Inputs
- Line/Mic switch
- Trim (gain)
- Auto Level vs Manual Level
- Phantom Power
- Wind Filter
- Necessary Camera Features Summary
- Fluid Head
- Pan & Tilt tension adjustment
- Pan & Tilt locks
- Bubble Balance
- Ball Level adjustment
- Spreader
- Be Quiet!
- Microphones
- Shotgun
- Lavalier
- Hand Mic
- Wireless Audio
- On-Camera Light
- Reflector
- XLR Inputs
- Line/Mic switch
- Trim (gain)
- Auto Level vs Manual Level
- Phantom Power
- Wind Filter
- Necessary Camera Features Summary
- Fluid Head
- Pan & Tilt tension adjustment
- Pan & Tilt locks
- Bubble Balance
- Ball Level adjustment
- Spreader
- Be Quiet!
- Microphones
- Shotgun
- Lavalier
- Hand Mic
- Wireless Audio
- On-Camera Light
- Reflector
- XLR Inputs
- Line/Mic switch
- Trim (gain)
- Auto Level vs Manual Level
- Phantom Power
- Wind Filter
- Necessary Camera Features Summary
- Fluid Head
- Pan & Tilt tension adjustment
- Pan & Tilt locks
- Bubble Balance
- Ball Level adjustment
- Spreader
- Be Quiet!
- Microphones
- Shotgun
- Lavalier
- Hand Mic
- Wireless Audio
- On-Camera Light
- Reflector
- Setting Up Tripod & Camera
- How to White Balance
- Iris/100% Video/Using Zebra
- How to Focus
- Types of Shots
- Types of Camera Moves
- Dolly vs Zoom
- Handheld Boom Shot
- Video “Handles”
- Rack Focus
- Camera Placement
- Shooting Handheld
- Telling a Story
- Trick for Limiting Depth of Field
- Bright Sun
- Shade
- Check Your Background
- Audio Considerations
- Setting Up Tripod & Camera
- How to White Balance
- Iris/100% Video/Using Zebra
- How to Focus
- Types of Shots
- Types of Camera Moves
- Dolly vs Zoom
- Handheld Boom Shot
- Video “Handles”
- Rack Focus
- Camera Placement
- Shooting Handheld
- Telling a Story
- Trick for Limiting Depth of Field
- Bright Sun
- Shade
- Check Your Background
- Audio Considerations
- Setting Up Tripod & Camera
- How to White Balance
- Iris/100% Video/Using Zebra
- How to Focus
- Types of Shots
- Types of Camera Moves
- Dolly vs Zoom
- Handheld Boom Shot
- Video “Handles”
- Rack Focus
- Camera Placement
- Shooting Handheld
- Telling a Story
- Trick for Limiting Depth of Field
- Setting Up Tripod & Camera
- How to White Balance
- Iris/100% Video/Using Zebra
- How to Focus
- Types of Shots
- Types of Camera Moves
- Dolly vs Zoom
- Handheld Boom Shot
- Video “Handles”
- Rack Focus
- Camera Placement
- Shooting Handheld
- Telling a Story
- Trick for Limiting Depth of Field
- Setting Up Tripod & Camera
- How to White Balance
- Iris/100% Video/Using Zebra
- How to Focus
- Types of Shots
- Types of Camera Moves
- Dolly vs Zoom
- Handheld Boom Shot
- Video “Handles”
- Rack Focus
- Camera Placement
- Shooting Handheld
- Telling a Story
- Trick for Limiting Depth of Field
- Setting Up Tripod & Camera
- How to White Balance
- Iris/100% Video/Using Zebra
- How to Focus
- Types of Shots
- Types of Camera Moves
- Dolly vs Zoom
- Handheld Boom Shot
- Video “Handles”
- Rack Focus
- Camera Placement
- Shooting Handheld
- Telling a Story
- Trick for Limiting Depth of Field
- Setting Up Tripod & Camera
- How to White Balance
- Iris/100% Video/Using Zebra
- How to Focus
- Types of Shots
- Types of Camera Moves
- Dolly vs Zoom
- Handheld Boom Shot
- Video “Handles”
- Rack Focus
- Camera Placement
- Shooting Handheld
- Telling a Story
- Trick for Limiting Depth of Field
Additional information
Videographer's Boot Camp™-Basic Training