Writing and rhetoric: writing about sports

Bachelor's degree

In Maynard (USA)

Price on request

Description

  • Type

    Bachelor's degree

  • Location

    Maynard (USA)

  • Start date

    Different dates available

"Sports, not religion, is the opiate of the people." So says David Remnick, editor of the New Yorker and a former sportswriter. Many of our heroes are sports heroes, and for many of us, sports were an important part of our childhood years. Sports are big business, even on college campuses, and they are the subject of many classic movies. In this introductory writing class we consider the role of sports in our own lives and explore the cultural meanings of sports in America. Sports have produced a large body of excellent descriptive and analytic writing; we'll read writers as diverse as Hank Aaron, John Updike, David Foster Wallace, and Malcolm Gladwell on the joys and conundrums of baseball, boxing, football, tennis, and running.

Facilities

Location

Start date

Maynard (USA)
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02139

Start date

Different dates availableEnrolment now open

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Subjects

  • Boxing
  • Writing
  • Rhetoric
  • Football
  • Tennis
  • Presentation

Course programme

Seminars: 2 sessions / week, 1.5 hours / session


This course has no prerequisites and is open to all MIT students.


Sports, not religion, is the opiate of the people. — David Remnick


Clear eyes, full heart: can't lose. — Coach Taylor, Friday Night Lights


In this Writing and Rhetoric class we examine the role of sports in our individual lives and American culture at large. From football, basketball and baseball through tennis, boxing and distance running, the great variety of sports has produced a vast body of wonderfully sharp writing and thrilling movies. Sports can be one of the most important formative elements in our lives, teaching us team spirit, discipline and how to excel. Or they can make us supreme couch potatoes, cheering on our teams as we consume endless quantities of snack foods and beer. They creates heroes at the same time that they raise ethical conundrums—from gender equality and the proper role of sports in college life to "juicing" and gambling. Sports are big business, media darlings, and their own branch of medicine. As part of our exploration of the role of sports in American culture, we will read essays and articles by writers such as Malcolm Gladwell, John Updike, David Foster Wallace, Lewis Lapham and others. We will also watch at least one movie as a class.


Writers will craft essays that reflect on their own experience as participants or viewers of a sport that reflect on issues related to sports, and that research and explore a sports-related topic in depth. Revision and workshopping are both an important part of the class's work.


You'll write and revise three essays in addition to several short non-revised homework assignments. Each student will also make one oral presentation. Readings will serve to get you thinking and provide models of good writing; they'll provide inspiration and discussion points for your essays.


The primary work of this class is to:


More particularly, the goals of this subject are to teach students to:


Here's a quick sketch of our major assignments.


Essay 1 (3–4 pages) is a narrative essay that will grow out of your own memories connected with sports. Essay 1 gives you practice in developing ideas based on your own experience and heightening your awareness of the audience(s) you write for.


Essay 2 (4–5 pages) is an analytical essay that gives you practice working with other writers' ideas while developing your own argument. You'll compare and contrast ideas from 2 or more of our readings, or supplemental readings, on an issue that interests you.


Essay 3 (8–10 pages), the investigative essay, is a researched essay focusing on a topic of your choice. It gives you the opportunity to develop your investigative and critical skills and your ability to organize a longer essay, along with practice using sources responsibly.


Oral presentations are a required part of all CI courses. In this class everyone will give a 10-minute presentation—5 minute talk, & 4–5 minutes of Q & A—reviewing a book you'll read. You'll select your book from a list I'll provide. You'll also be quizzed on your book before the presentation is due.


Homework will include some short (≈ 1 page) writing assignments, such as:


We'll also do some writing in class to prepare for essays and to check reading comprehension.


NOTE: To pass this class you must hand in ≥ 5,000 words of revised writing, distributed across your three essays.


In order to better judge your achievement and progress over the semester, I'll collect a portfolio of all written work for our class at our last class meeting—so don't throw any of your drafts or homework away!


Class participation includes attendance, class discussions and workshopping. Discussion is part of the oral work of a communications-intensive class: all students are expected to participate in class discussions.


There are no required books for this class. However, I strongly urge you to purchase a good college dictionary—not a pocket dictionary—if you do not already own one. If English is not your first language, you will need two good dictionaries.


Some readings will be handouts or available through web links. Print out all readings—preferably before you read them!—and bring them to class so that you can participate actively in class discussions.


The book you'll review for your oral presentation may be in one of the MIT libraries, or you may need to purchase it.


This class is structured more like a workshop or seminar than a lecture class. Therefore, attendance is important: your responsibility in the class is not only to be a writer, but also to read and respond to classmates' work and to participate in discussions.


Lateness is discourteous to your classmates and to your professor. If you are 10 minutes late three times it will count as an absence.


All students in our classroom community have the right to a distraction-free educational environment, which is most conducive to learning. The unnecessary use of electronic devices in the classroom ("multitasking") is distracting and unfair to other students and the instructor. Equally, it prevents you from paying full attention, which means you are jeopardizing your ability to learn.


Within our class, laptop computers and other electronic devices may only be used in to access online readings or assignments, in the event that a student is unable to bring a print copy. Otherwise, laptop computers and other electronic devices should be closed; cell phones should always be completely turned off and stored out of sight.


Because it's often more efficient and effective for us to have a conversation about your writing than to communicate via comments on papers, conferences are an important part of our work together. Bring specific questions about your writing, such as how to make an introduction more vivid or how to connect the ideas in your essay. You are also welcome to use conference time to continue discussions begun in class or try out ideas sparked by your reading.


Using someone else's language and/or ideas without proper attribution is academically dishonest. As members of this class and the larger scholarly community you are expected to abide by the norms of academic honesty. While a good deal of collaboration is encouraged in and out of class, failing to acknowledge sources or willfully misrepresenting the work of others as your own will not be tolerated. Everything you submit must be your own work, written specifically for this class. Plagiarism can result in withdrawal from the course with a grade of F, suspension or expulsion from the Institute.


The booklet Academic Integrity at the Massachusetts Institute of Technology: A Handbook for Students (also available online) explains these issues in detail, and you are responsible for understanding its contents. We will work on citing sources in class and discuss ways to paraphrase correctly and acknowledge them properly. When in doubt, consult with me.


For this class and most classes, it is not acceptable to hand in a paper that you wrote for another class, even though it is your own work. If you are ever in doubt, ask your instructor.


Revision is the heart and soul of this class. On first drafts, you'll receive ample comments from me as well as classmates. Each essay will be revised, and second drafts will receive a letter grade and more concise comments. Note:


*What I mean by incomplete:


A work is excellent: the content goes beyond the simple and commonplace—it may give readers some news, surprise them, or help them see something familiar in a new way. The writing is confident, energetic, essentially free of error, with the sound of an individual writer's voice. It is clear—lucidity, lucidity, lucidity! and, if the topic demands it, well researched. It is well focused and organized, and does not settle for the surface layer of the topic. It cites sources consistently and appropriately. It takes the reader into account throughout.


B work is solid, competent, on the right track. It may be not quite up to "A" level in most aspects, or it may excel in some aspects but fall short in others.


"C" work satisfies the assignment but is unclear in several places, is unfocused and/or weakly organized, contains some inaccuracies, cites inconsistently, stays on the surface of the topic, settles for clichés rather than fresh and vivid language, and/or contains a significant number of grammar errors. It does not successfully or consistently take readers into account.


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Writing and rhetoric: writing about sports

Price on request