Critical and analytic theories in photography
Course
In London
Description
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Type
Course
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Location
London
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Start date
Different dates available
Over the period of the twentieth century, photography came to touch upon and/or to reshape almost all areas of life in which images are made, used and experienced. Given its massive influence, and the many different forms and uses, it is perhaps unsurprising that those who have tried to understand it critically and theoretically have adopted a range of different approaches, drawing on different cultural and political theories, philosophies and ideas of vision and communication to aid them in thinking about this most versatile of image forms.
This course offers an introduction to some of the major influential approaches to thinking about photography that developed between the 1930s and the last decades of the twentieth century. Through readings of selected texts by key thinkers, and in discussion of a range of visual materials, this course explores some of the central issues and concepts in twentieth century criticism and theory of photography.
Facilities
Location
Start date
Start date
About this course
• Understand the concepts and arguments put forward in the writings studied and in class discussion.
• Use these concepts in analysis of photographic works and have a good sense of their relevance for thinking about visual culture more generally.
• Feel confident that you have a grasp of some of the key debates, issues and ideas that shaped critical and theoretical discussions of photography in the twentieth century and that, on this basis, you can move on to further and related studies.
You may find it useful to buy some of the books discussed during the course.
If you would like to buy art materials for your personal use outside of the course, City Lit students receive 10% discount off everything* from Cass Art, the UK's leading art supplies retailer. Your tutor will advise you on what you should buy. You will need to show your enrolment receipt in-store to receive your discount. Visit the Charing Cross shop at 13 Charing Cross Road WC2H 0EP or find your local shop at *Terms and conditions apply, visit
The tutor will give introductory lectures clarifying the essential content of the text(s) in focus. You will then be given a chance to participate in discussion of visual examples and to apply the concepts studied to these.
Reviews
Course programme
The course covers a range of writers whose work has proven important for the historical, critical and theoretical understanding of photography. These include Walter Benjamin, Susan Sontag, John Berger, Roland Barthes, Allan Sekula, Abigail Solomon-Godeau, Christian Metz, Kaja Silverman and Vilem Flusser. Our exploration of the ideas put forward by these writers will be informed by group discussion of a variety of photographic practices.
Additional information
Critical and analytic theories in photography