Dante's Divine Comedy: an introduction

City Lit

Course

In London

£ 49 VAT inc.

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Description

  • Type

    Course

  • Location

    London

  • Start date

    Different dates available

The Divine Comedy is probably the most important and famous work of Italian literature. A few centuries after its publication this epic poem was almost ignored, only to be rediscovered in the 19th century, exerting a significant influence on so many writers in many different countries. But what is it that makes it one of the greatest works of world literature? And why is it so important for the Italian language?

Facilities

Location

Start date

London
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Keeley Street, Covent Garden, WC2B 4BA

Start date

Different dates availableEnrolment now open

About this course

- provide information on the historical background of Florence in the 13th century
- describe the role and function of Dante's guides
- provide an example of how Dante included his personal view in the poem.

The extracts from the cantos will be provided by the tutor. Bring writing material if you wish to take notes.

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Course programme

We will first look at the historical and cultural events that inspired Dante to write The Divine Comedy, before exploring its structure, main themes and language. We will also examine the various interpretations of the journey in the afterlife. This will be combined with a reading of a selection of its cantos (in English).

The session will be a mixture of tutor-led lecture combined with group discussion, readings and opportunities to ask questions. Some group or pair activities will be included. A further reading list will be provided at the end.

Additional information

Any other literature class. Please check our website under History, Culture and Writing at for more information. General information and advice on courses at City Lit is available from the Student Centre and Library on Monday to Friday from 12:00 – 19:00. See the course guide for term dates and further details

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Dante's Divine Comedy: an introduction

£ 49 VAT inc.

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