Independent Filmmaking

There are two durations of the course – full-time over 12 months and part-time over 24 months.

· Development

Students are introduced to experienced filmmaker teams who give case studies on how they developed and produced their films. Students will also receive coaching on pitching.

· The Philosophy of Film

David Puttnam will draw upon his own distinguished career as a filmmaker to discuss the philosophy of film, the grammar and the language of film through critical and practical analysis.

· Pre-Production

Students attend workshops on script development, casting, budgeting/ scheduling, relevant software (e.g. Movie Magic), locations and contracts/ legals.

· Film Lab (optional)

Space is created for students to develop and workshop their work for TV or film based work around cold reading of their respective scripts within the group.

· Transnational Cinemas: Screen and Practice (optional)

Structured around weekly screenings and seminars students will explore films in theory and practice.

· Creative Project

Students will complete a moving image related project, e.g. short film or animation, with the option of completing a written practice-focused dissertation, discussing context, audience, avenues for distribution or other relevant subjects.

Course assessment

You’ll be assessed in a variety of ways, including scriptwriting, production folders and either a written practice based dissertation or film project.

To receive a Master’s degree in Independent Filmmaking you’ll need to demonstrate via coursework a detailed understanding of the process by which moving image productions are made and have a portfolio of project work that shows a creative mastery which matches your grasp of Independent Filmmaking. Your final mark for the production module will depend on the creativity and originality of your work, as well as your demonstrated ability in your role.