Italian Renaissance drawing: design, form and function
Course
In London
Description
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Type
Course
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Location
London
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Start date
Different dates available
Behind every great Renaissance painting is an equally astounding, some would say greater, drawing. Indeed, artists were judged firstly not by the quality of their paintings, but by their grasp of and skill in drawing. But although there are some extraordinary examples that survive, many did not.
This course will bring together some of those paintings with their accompanying surviving drawings to demonstrate that the importance of drawing upon the very fabric of the Renaissance cannot be underestimated, because without drawings there could be no Italian Renaissance. By examining how this, at first, purely functional object was developed, made and used, we will discover how they would eventually come to be regarded as works of art in their own right.
What previous students liked most about this course:
“Greatly improved my knowledge of the Renaissance period and techniques of drawing.”
Facilities
Location
Start date
Start date
About this course
- Demonstrate an understanding of the major motivations of the artists and the uses of their drawings
- State in terms of chronology, the span of the period
- identify different styles and techniques of drawings
- Differentiate between the artists' different styles and choices of medium
- Identify Renaissance influences
- Speak about a single drawing in terms of its medium.
What previous students have achieved on this course:
“I have more information about the social content in which the paintings were commissioned and used.”
Limited book purchase recommended but optional; a bibliography will be provided.
The course will be classroom-based and will be taught in a seminar format, with the use of slides and handouts. There will also be a museum visit. Making your own further museum visits, and reading outside the course, will greatly enhance your experience.
Reviews
Subjects
- Design
- Drawing
Course programme
Each week will focus on the different materials and techniques used to create some of these sublime drawings - such as vellum parchment, lead-white, black and red chalks, charcoal and metalpoint - and the variety of effects that were obtained.
The course will also cover the development of drawing plans for patrons to presentation drawings, and the use and function of drawing books. The drawings of well known artists such as Michelangelo (1475-1564) and Leonardo (1452-1519) will be discussed and analysed, however, this course will also look at the antecedents and lesser known contemporaries of these great artist, such as: Antonio and Piero Pollaiuolo (about 1432-1498 and about 1441-before 1496), Domenico Ghirlandaio (1449-1494), Pontormo (1494-1557), Andrea del Verrocchio (about 1435-1488) and many others.
Additional information
Italian Renaissance drawing: design, form and function
