Life painting
Course
In London
Description
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Type
Course
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Location
London
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Start date
Different dates available
Examining means and methods of representing the human figure. This will help you develop your understanding of human structures and form, and to build confidence in handling paint in relation to life painting. You will learn to express an imaginative and personal response to the figure.
Facilities
Location
Start date
Start date
About this course
- represent the figure effectively in painterly terms
- have an expanded sense of paint handling and technique
- begin to locate areas of personal interest and your own language and style
- produce a series of works that demonstrate sustained investigation.
The course fee covers basic materials, consisting of acrylic paint, paper and brushes. If you wish to work in oils you will need to bring your own materials, having heard the initial advice on the palette for the course at the first session (otherwise expensive and unnecessary paints may be purchased). Advice will be given on preparing supports if oils are to be used.
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If you would like to buy art materials for your personal use outside of the course, City Lit students receive 10% discount off everything* from Cass Art, the UK's leading art supplies retailer
A variety of poses will be used (lying, standing, sitting) with different moods, using techniques that both free up handling but also develop control, from exercises to quick sketches to more considered pieces. It is possible in the latter part of the course that a pose will be retained over a number of weeks. You will be taught by demonstration, practical application, one to one tuition and group discussion.
Reviews
Subjects
- Painting
Course programme
Each session will isolate aspects of life painting and the means to deal with it: modelling of form; dealing with proportion and scale; issues of the figure in space - perspective and foreshortening; weight in relation to posture; and emotional mood.
You will also develop a suitable, limited palette based on colour bias, appropriate to creating form using various tonal structures. We will consider ways of constructing and organising paint, such as coloured under painting, layering, 'scumbling' and other methods, including placement, distortion, balance and rhythm.
Additional information
Life painting