Opera studies 2: literature into libretto
Course
In London
Description
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Type
Course
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Location
London
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Start date
Different dates available
Composers writing operas have very specific requirements for their librettists. The text must be clear, express character and emotion, be suitable for singing, be concise, allow plenty of time for musical development, and yet convey the plot. We will look at operas based on various literary forms and examine how they have been adapted, speculating on the reasons for the changes that have been made. Tutor: Pauline Greene [external website].
Facilities
Location
Start date
Start date
About this course
- understand the basic structure of an opera and its component parts
- understand the requirements of a composer needing a libretto, in various historical periods
- understand the difference between an effective book/poem/short story and an effective libretto
- understand the working partnership of librettist and composer.
- Please bring a notebook and pen.
- You may wish to buy some of the music, books or DVDs recommended in class.
Reviews
Course programme
-the requirements for a good libretto
-an analysis of good and bad libretti
-the study of various different sources for operas from literature
-some composer-librettist partnerships and their operas.
Additional information
Opera studies 2: literature into libretto