Tate Britain courses

...Hamilton and Mixed Media. Each unit examines different artists in Tate's collection and looks at how they created their work. The units contain video clips...

...response to art through creative writing exercises designed to generate new poems. The special emphasis of this term is how to shape poems and make images with words...

...drafts into finished poems. The special emphasis of this term is editing techniques. We will devote every other session to group discussion of how to...

...This 6-session course provides an opportunity to explore ideas from Plato's Ion and Republic through to Kant's Critique of Judgement. Each week we...

...are key themes in this course which explores ideas from Romanticism through to the mid-twentieth century. Major thinkers whose work we will examine include Schopenhauer...

...What is art? and How should we understand art? are two key questions explored in this course which ranges from examination of ideas from Arthur Danto through...

...accessible environment for beginners and an inspirational fresh look at life drawing for those with more experience. Suitable for: Those who wish to...

...and use of simple colour and geometric shapes that van Doesburg and his contemporaries saw as the future for modern culture. In the studio, you can...

...But what does an artist or a member of the audience gain by challenging these structures? What differs between the position of the critical artists...

...who devised forms of civil disobedience and opened up a space for dissent. Twenty years later we are in the midst of an unprecedented economic and ecological...

...collage and printed material. The emphasis throughout the day is on experimentation and imagination...

...Participants have the chance to draw models from life in front of works of art that present a diverse setting for the human form. Each class is different...

...No previous knowledge is necessary on this introductory course as we will spend much of our time in the gallery discussing how art was made and understood...

...to the untitled film stills of Cindy Sherman, to the nine years American artist Lynn Hershman spent (intermittently) living the imaginary life of ‘Roberta Brietmore'...

...is clear, and the continuing dialogue among the various cultures is seen in the works of the Harlem Renaissance of the 1930s through to contemporary...