Art and the politics of memory
Course
In London
Description
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Type
Course
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Location
London
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Start date
Different dates available
In this 5-week course we will explore the ways in which art since 1960 has served as a medium for engaging with history and memory following periods of political conflict and upheaval. We will examine the political and cultural significance of art which has challenged the official silences of recent history.
Case studies will include the provocative memory of the Second World War in the paintings of Anselm Kiefer, Gerhard Richter and Luc Tuymans; the ruin and the relic as forms of political critique in the work of Joseph Beuys, Gordon Matta-Clark, and Hans Haacke, and the negotiation of the aftermath of political repression in Spain and Colombia in the installations of Juan Muñoz and Doris Salcedo.
We will examine the role of these artists in remembering and reconstructing a difficult or traumatic past, and explore some of the ways in which their work engages with questions of national and individual identity.
Facilities
Location
Start date
Start date
About this course
- Give examples of a response to war / civil war by contemporary artists and discuss cultural context and artist’s approach in each case.
- Discuss the role of memorial sculpture in a society’s recovery from war and/or mass trauma
- Give an example of how the depiction of war and/or trauma has been impacted by the society and culture into which a work was installed where these broader contexts might have driven the artist’s response.
Reviews
Subjects
- Art
- Politics
Course programme
• World War II in the paintings of Anselm Kiefer, Gerhard Richter and Luc Tuymans
• Political critique in the work of Joseph Beuys, Gordon Matta-Clark, and Hans Haacke
• Art after civil war - Juan Muñoz and Doris Salcedo
• Art and the memory of trauma – Rachel Whiteread.
Additional information
Art and the politics of memory