Interdisciplinary approaches to musical time

Bachelor's degree

In Maynard (USA)

Price on request

Description

  • Type

    Bachelor's degree

  • Location

    Maynard (USA)

  • Start date

    Different dates available

This course is an interdisciplinary exploration of three broad topics concerning music in relation to time.

Facilities

Location

Start date

Maynard (USA)
See map
02139

Start date

Different dates availableEnrolment now open

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Subjects

  • Musicology
  • Musical
  • Music

Course programme

Lectures: 4 sessions / week, 1.5 hours / session, for four weeks


Three weekend evening concerts with 90 minute pre-concert forums


Three open rehearsals on the day before each concert


This course is an interdisciplinary exploration of three broad themes concerning music in relation to time.


The concerts by the Boston Chamber Music Society (BCMS) commingle works by great composers of the past (e.g., Beethoven and Dvorak) and contemporary composers (e.g., Libby Larsen and MIT professor Peter Child).


The three pre-concert forums bring together experts from various disciplines within MIT and elsewhere, to talk about the concerts in relation to the three themes. The exploration is both multi-media and interdisciplinary across the arts and sciences, using projections of film, painting, sculpture, and poetry. Panelists on each forum will discuss on their own work and the music of the evening. BCMS musicians will be on hand to demonstrate and discuss aspects of the music.


The daily class meetings will be devoted to discussion of these events (before and after), and presentations by various MIT guest speakers about a particular topic of their choosing. The presentations may be related to an artwork (e.g., a novel, a painting, a film, or another piece of music), a cultural object (e.g., a building, a musical instrument, or a specific type of media technology), or to some relevant scientific research project (e.g., in the field of music cognition). Students are also expected to give an informal classroom presentation, which might also include musical performances, to be arranged in consultation with the instructors. For those taking the class for credit, attendance at all three concerts and forums is required, as are short written responses to these events.


Session Key
C = Classroom session
R = Open rehearsal
E = Forum/concert event


Michael Cuthbert (musicology, moderator)


Robert Jaffe (physics)


Libby Larson (composer)


Sara Brown (scenic design)


Andrew Imbrie, serenade for flute, viola, and piano


Libby Larsen, Black Birds, Red Hills


George Crumb, Eleven Echoes of Autumn


Maurice Ravel, Piano Trio in A Minor


Bruce Brubaker (piano/contemporary music)


Peter Child (composition, moderator)


Deborah Stein (music theory)


Ludwig van Beethoven, String Trio in E-flat Major, Op. 5


Peter Child, Skyscraper Symphony


Antonín Dvořák, String Quartet in E-flat Major, Op. 97, "The American"


Deeper into Muybridge: a poet's view


Ellen Harris (musicology, moderator)


Lewis Lockwood (musicology)


Paul Matisse (sculptor)


Stephen Tapscott (poet)


W. A. Mozart, Oboe Quartet in F Major, K. 370


Charles Loeffler, Two Rhapsodies for Oboe, Viola, and Piano


William Grant Still, suite for violin and piano


Lukas Foss, Time Cycle


Charles Shadle


(Senior Lecturer in


Music)


Mark Harvey


(Lecturer in Music)


In the moment: jazz time and improvisation


Student projects & performances


Wrap-Up


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Interdisciplinary approaches to musical time

Price on request