Interdisciplinary approaches to musical time
Bachelor's degree
In Maynard (USA)
Description
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Type
Bachelor's degree
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Location
Maynard (USA)
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Start date
Different dates available
This course is an interdisciplinary exploration of three broad topics concerning music in relation to time.
Facilities
Location
Start date
Start date
Reviews
Subjects
- Musicology
- Musical
- Music
Course programme
Lectures: 4 sessions / week, 1.5 hours / session, for four weeks
Three weekend evening concerts with 90 minute pre-concert forums
Three open rehearsals on the day before each concert
This course is an interdisciplinary exploration of three broad themes concerning music in relation to time.
The concerts by the Boston Chamber Music Society (BCMS) commingle works by great composers of the past (e.g., Beethoven and Dvorak) and contemporary composers (e.g., Libby Larsen and MIT professor Peter Child).
The three pre-concert forums bring together experts from various disciplines within MIT and elsewhere, to talk about the concerts in relation to the three themes. The exploration is both multi-media and interdisciplinary across the arts and sciences, using projections of film, painting, sculpture, and poetry. Panelists on each forum will discuss on their own work and the music of the evening. BCMS musicians will be on hand to demonstrate and discuss aspects of the music.
The daily class meetings will be devoted to discussion of these events (before and after), and presentations by various MIT guest speakers about a particular topic of their choosing. The presentations may be related to an artwork (e.g., a novel, a painting, a film, or another piece of music), a cultural object (e.g., a building, a musical instrument, or a specific type of media technology), or to some relevant scientific research project (e.g., in the field of music cognition). Students are also expected to give an informal classroom presentation, which might also include musical performances, to be arranged in consultation with the instructors. For those taking the class for credit, attendance at all three concerts and forums is required, as are short written responses to these events.
Session Key
C = Classroom session
R = Open rehearsal
E = Forum/concert event
Michael Cuthbert (musicology, moderator)
Robert Jaffe (physics)
Libby Larson (composer)
Sara Brown (scenic design)
Andrew Imbrie, serenade for flute, viola, and piano
Libby Larsen, Black Birds, Red Hills
George Crumb, Eleven Echoes of Autumn
Maurice Ravel, Piano Trio in A Minor
Bruce Brubaker (piano/contemporary music)
Peter Child (composition, moderator)
Deborah Stein (music theory)
Ludwig van Beethoven, String Trio in E-flat Major, Op. 5
Peter Child, Skyscraper Symphony
Antonín Dvořák, String Quartet in E-flat Major, Op. 97, "The American"
Deeper into Muybridge: a poet's view
Ellen Harris (musicology, moderator)
Lewis Lockwood (musicology)
Paul Matisse (sculptor)
Stephen Tapscott (poet)
W. A. Mozart, Oboe Quartet in F Major, K. 370
Charles Loeffler, Two Rhapsodies for Oboe, Viola, and Piano
William Grant Still, suite for violin and piano
Lukas Foss, Time Cycle
Charles Shadle
(Senior Lecturer in
Music)
Mark Harvey
(Lecturer in Music)
In the moment: jazz time and improvisation
Student projects & performances
Wrap-Up
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Interdisciplinary approaches to musical time