Composition & Form 4 Acoustic Fingerstyle & Classical Guitar

Course

Online

£ 5 VAT inc.

Description

  • Type

    Course

  • Methodology

    Online

  • Start date

    Different dates available

Learn how to write solo pieces for classical and acoustic fingerstyle properly and effectively and unleash your potential.Who needs bands? It’s time to learn how to write attractive solo pieces that you can perform on your own, as many composers have done for centuries, and knowing what you are really doing!Do you want to learn how to write attractive, stand-alone pieces for solo guitar? Aren’t sure where to begin, or how to complete your piece? Ever find yourself noodling aimlessly for valuable chunks of time, and then finally giving up thinking: ‘I’ll try again some other times” ? Life is too short for noodling. Noodling is a HUGE waste of time.This is an INTENSE and FAST PACED course. I don't want to waste a SINGLE minute of your time. I don't hit 'record' and fill my course with 10 hours of mostly ramblings, ifs, buts, maybes, fluff, uhm and ah. It's easy enough to fill in 10 hours if one doesn't edit out every pause, uhm and ah, which for most people occurs every few seconds. I do edit every second. It takes me up to 40 minutes to edit a video that will be only 2 minutes long. I am more about content and substance than how things look. Every single word I say must have tutoring weight. Also, I don't believe in 'learn everything guitar' courses, most of them are superficial and bland and will turn you into a MEDIOCRE jack of all trades and master of NONE. Learning a bit of this and a bit of that with no real depth will only turn you into a mediocrity. You need to focus on ONE specific thing at a time, step by step, LASER FOCUS style, and it takes more than a few minutes to cover a single topic in depth. This attitude changed EVERYTHING for me.Writing well for an instrument is much more than just buying a guitar and start ‘composing’. There are many things that you need to be aware in musical form and structure, and let me tell you, guitar teachers do not usually teach these secrets. But I do.
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Facilities

Location

Start date

Online

Start date

Different dates availableEnrolment now open

About this course

Compose attractive small forms and miniatures for acoustic fingerstyle or classical guitar
POWERFUL music theory you are unlikely to find in ANY other guitar course (I have not seen it!)

intermediate guitarists

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Reviews

This centre's achievements

2021

All courses are up to date

The average rating is higher than 3.7

More than 50 reviews in the last 12 months

This centre has featured on Emagister for 4 years

Subjects

  • Motif
  • Motif
  • Musical
  • Planning
  • Composition

Course programme

Section 1 5 lectures 16:04 Introduction Miniatures: the small ternary form The motif and how to develop it The A section Motivic development part 2 Section 1 5 lectures 16:04 Introduction Miniatures: the small ternary form The motif and how to develop it The A section Motivic development part 2 Introduction Introduction Introduction Introduction Miniatures: the small ternary form Miniatures: the small ternary form Miniatures: the small ternary form Miniatures: the small ternary form The motif and how to develop it The motif and how to develop it The motif and how to develop it The motif and how to develop it The A section The A section The A section The A section Motivic development part 2 Motivic development part 2 Motivic development part 2 Motivic development part 2 Section 2 8 lectures 31:23 How to start and end a section After composing the A and B sections The role of the RECAPITULATION Assignments part 1 Assignments part 2 Planning the modulations musical coherence vs incoherence learn the PRO CONCEPT of how to ensure UNITY in your pieces Final thoughts Section 2 8 lectures 31:23 How to start and end a section After composing the A and B sections The role of the RECAPITULATION Assignments part 1 Assignments part 2 Planning the modulations musical coherence vs incoherence learn the PRO CONCEPT of how to ensure UNITY in your pieces Final thoughts How to start and end a section How to start and end a section How to start and end a section How to start and end a section After composing the A and B sections After composing the A and B sections After composing the A and B sections After composing the A and B sections The role of the RECAPITULATION The role of the RECAPITULATION The role of the RECAPITULATION The role of the RECAPITULATION Assignments part 1 Assignments part 1 Assignments part 1 Assignments part 1 Assignments part 2 Assignments part 2 Assignments part 2 Assignments part 2 Planning the modulations Planning the modulations Planning the modulations Planning the modulations musical coherence vs incoherence learn the PRO CONCEPT of how to ensure UNITY in your pieces musical coherence vs incoherence learn the PRO CONCEPT of how to ensure UNITY in your pieces musical coherence vs incoherence learn the PRO CONCEPT of how to ensure UNITY in your pieces musical coherence vs incoherence learn the PRO CONCEPT of how to ensure UNITY in your pieces learn the PRO CONCEPT of how to ensure UNITY in your pieces learn the PRO CONCEPT of how to ensure UNITY in your pieces Final thoughts Final thoughts Final thoughts Final thoughts

Additional information

Be able to read music (no one can learn this seriously without reading music) Basic music theory knowledge: chords, major scales, etc

Composition & Form 4 Acoustic Fingerstyle & Classical Guitar

£ 5 VAT inc.