Music criticism: a history

Course

In London

£ 189 VAT inc.

Description

  • Type

    Course

  • Location

    London

  • Start date

    Different dates available

Following our basic introduction to musical developments last term, this course looks more specifically at writing about music since the late 1700s, when music journalism began to establish itself as an important part of the public understanding of music. What sort of background did music critics have, and what else did they do in their day-to-day lives? To what extent did their criticism affect the reception of the music they reviewed... and what were they reviewing, the compositions, the performances or both? We will also consider the state of contemporary music criticism and the somewhat contentious position that critics now occupy. Tutor: Dr Katy Hamilton [external website].

Facilities

Location

Start date

London
See map
Keeley Street, Covent Garden, WC2B 4BA

Start date

Different dates availableEnrolment now open

About this course

- Name the most influential writers on music from c.1750 to the present day- Identify some of the key features of a musical review, and how these have changed over time- Summarise the changing relationship between critics and audiences over time- Describe some of the most famous controversies in the musical press.

All classes, learning materials and online resources are included in the price. Those who wish to continue their learning outside the classes will be offered suggestions for further reading and listening, but this is not compulsory in order to complete the course.You will need to bring paper and writing implements to take notes and participate fully in group activities. All presentation material and class handouts will also be made accessible in digital format.

Each class will involve a combination of spoken presentations from the tutor, recorded and live musical examples, and class discussion and activities. These will include tasks for pairs and small groups, whole-class discussions and individual activities. There will be some small tasks to complete between classes (usually brief reading and/or listening tasks), and all materials for these – such as video links and texts – will be made available online.

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Reviews

Subjects

  • Public
  • Music
  • Musical

Course programme

- The emergence of music criticism and memoirs in the late eighteenth century
- The establishment of music journals and newspapers specifically for the music-loving public
- How reviews were constructed, and how they have changed over time
- Case studies of some specific writers, including Charles Burney, Eduard Hanslick and George Bernard Shaw... and some of the major musical controversies with which they were involved
- The composer as critic: Wagner, Schumann and others.

Additional information


You may be interested in: Music and philosophy (MD703C).

City Lit has a wide music appreciation programme. Please consult our prospectus or contact the music office
if you would like help choosing another course.

General information and advice on courses at City Lit is available from the Student Centre and Library on Monday to Friday from 12:00 – 19:00.
See the course guide for term dates and further details

Music criticism: a history

£ 189 VAT inc.