Rising stars in contemporary poetry
Course
In London
Description
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Type
Course
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Location
London
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Start date
Different dates available
More and more collections of poetry are being published in pamphlets, books and online. Some win prizes and each year four or five poets win the prestigious Eric Gregory Awards for poets under 30. With so much being published, how can we decide what is good poetry? Does winning prizes or awards mean the poems are good or just that they appealed to the judges more than the others submitted or that they’re fashionable?What do we mean by ‘good poetry’ anyway? It’s often said good poems are ones we return to again and again, but what makes us return to them? Is it expression of feelings we share in language that’s fresh – “what oft was thought but ne’er so well expressed” – or something else?BIOGRAPHICAL DETAILS:Laurie Smith has taught poetry writing and literature courses at The City Lit for some years, focussing on modernism and writers’ radicalism. He researches and lectures at King’s College London, helped to found Magma poetry magazine which he sometimes edits and has recently been a Trustee of the Poetry Society.
Facilities
Location
Start date
Start date
About this course
•Understand the writing styles of a range of contemporary poets.• Appreciate what makes these poets new and original.• Enjoy reading and discussing many fine poems.
There are no set texts to buy and all reading material will be supplied and given out week by week.
The sessions are run in a seminar style with all students included in discussions led by the tutor and some small-group discussions with feedback. You will receive photocopies of the poems the previous week so you can read them to be ready to discuss them.
Reviews
Subjects
- Writing
- Poems
- Poetry
Course programme
We will read poems by poets in the early part of their career – with one, two or three collections, not poets with established reputations. We will look at a wide range of work, from performance-based poets like Kate Tempest through intriguing modernists like John Clegg and Jon Stone to apparently more traditional voices like Frances Leviston, Helen Mort, Judy Brown and Andrew Philip and unclassifiable poets like Lorraine Mariner. We will ask whether Kei Miller’s appeal is greater because he writes as a West Indian and Andrew McMillan’s because he is gay.
Obviously these aren’t the only “rising stars” of the contemporary poetry scene – to cover these would take at least a year – but all of them offer readers something new and memorable. We will also explore why some poets continue to write through long careers while others move on to other kinds of writing or stop publishing. The course may be helpful for people who write poetry themselves.
Additional information
Look for all poetry classes under Literature in Humanities in the prospectus or on under History, Culture and Writing.
General information and advice on courses at City Lit is available from the Student Centre and Library on Monday to Friday from 12:00 – 19:00.
See the course guide for term dates and further details
Rising stars in contemporary poetry