Think like an artist: in 17th century Britain
Course
In London
Description
-
Type
Course
-
Location
London
-
Start date
Different dates available
What was it like to be an artist in Britain in the 17th century? Success meant working for the British monarchy, reinforcing its authority and power through portraiture. But what else might have been important to an artist? This century saw the emergence of the commercial art market in Britain, and an opening up of subject matter. We will explore, through the art, how the profession of being an artist developed and changed. Why did foreign artists including Van Dyck, Rubens and Peter Lely dominate British art of the period? What did British artists such as Samuel Cooper, William Dobson and Mary Beale have to offer? This one-day course is part of a series, looking at art in Britain in the 17th, 18th and 19th centuries.
Includes gallery visit.
Facilities
Location
Start date
Start date
About this course
- List at least 3 artists of the 17th century and identify key features of their style
- Discuss how you might evaluate a painting based on what factors were important to both the patron and the artist
- Discuss how an artist might adjust his style to flatter a sitter, for example Van Dyck’s portraits of King Charles I.
You might wish to bring a notebook. You might wish to buy some of the books on any reading list given out in class.
Reviews
Subjects
- Art
Course programme
• An overview of the key historical and political events of the period
• An introduction to the leading artists of 17th-century Britain
• An opportunity to study significant commissions undertaken by different artists, to analyse and discuss the works of art and think critically about the artist’s concepts, working methods and intentions.
Additional information
Think like an artist: in 17th century Britain
